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Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts
Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts
Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts
Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts
Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts
Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts

Yvonne Rainer: Radical Juxtapositions 1961-2002 - 2003 SC Art Book | Dance & Performance Art History | Perfect for Modern Art Collectors and Dance Enthusiasts

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Description

Sachs, Sid et al. Philadelphia. The University of the Arts. 2003.
English, First Edition, Very Good, SC, 4to, 9” x 11 ¾,” 151 pp.
ISBN: 0962791652

Stiff white wraps with black-and-white photographs to front and back, gray text to front and spine, black-and-white photographs printed to front and back inside covers. Mild shelfwear and light soiling to front and back, minor crease to back bottom left corner, mild edgewear, minor pressure indentations to front cover and top edge of pages, otherwise clean throughout, tightly bound, and excellent. 151 pp. Replete with full-color and black-and-white illustrations. Exhibition catalog for the Rosenwald-Wolf Gallery at The University of Arts, Philadelphia, PA from October 19 - November 30, 2002. Texts by Sid Sachs, Sally Banes, Carrie Lambert, et al. Includes a memoir by Rainer, “skirting and aging: an aging artist’s memoir” (from p. 87). Photographs and essays guide readers along Rainer’s career, highlighting decades of dance performances, theater, and film. This exhibition catalog “is just one investigative foray, not an ultimate statement…One thing follows another: other exhibits will follow, other essays, new films, perhaps new performances” (from p. 19).

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