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Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts
Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts

Michael Kenna: Le Nôtre's Gardens Photography Book by Eric T. Haskell (1999 2nd Edition, Monochrome) - Perfect for Art Collectors & Landscape Photography Enthusiasts

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Description

Haskell, Eric T. Santa Monica: Ram Publications, 1999
English and French, 2nd Ed., Near Fine hardcover, quarto, 10 ¾” x 10 ⅛”, 79 pp.
ISBN: 0963078534 

Near Fine quarto, dark green cloth over boards, black lettering to front and spine, brown endpapers, minimal soiling to front cover. Very Good pictorial dust jacket with Daybreak, 1996, to front, black and white lettering to front, light blue/gray spine with black lettering, minimal soiling, minimal shelfwear. Text in English and French, accompanies exhibition Le Nôtre’s Gardens: Photographs by Michael Kenna, Virginia Steele Scott Gallery, February 18 to April 20, 1997, black-and-white Plates, a stunning revised and expanded edition. Kenna’s photographs, which were often made at dawn or in the dark hours of night, enigmatically capture the interaction between the natural landscape and human-made structures.


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